A compilation of some of our favorite tracks this semester, from the WVUM family and friends.
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The infamous “Cool Girl” monologue wasn’t just written to show men their lunacy—it was a warning to every woman who’s ever starved herself of authenticity for the sake of being liked.
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A guide to rising country artists who balance fresh sounds with classic storytelling.
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The Melbourne-based producer and funk revivalist sat down with me before his Miami set to talk about his new album, the heartbeat behind his unique sound, building emotion through rhythm, and maintaining humanity in a digital world.
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Celebrating the women that slay harder than the killers ever could.
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A review of the half-spy thriller, half-workplace comedy/nightmare, Slow Horses, on the advent of its season five finale.
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Reviewing Jordan Peele’s Him, what it means to be the GOAT, and the fine line between sacrifice and brutal obsession.
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A love letter to the messy, magnetic weirdos—and a takedown of Hollywood’s airbrushed idea of love. (Bring back men who trip over curbs, please.)
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I love Sabrina Carpenter; I hate her new album (or rather, what it stands for).
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The legacy and making of a Norwegian teen phenomenon.
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Set in a stylish, retro-futuristic 1960s, The Fantastic Four: First Steps stands as a visually stunning, yet flawed, launch for the iconic team as they confront the cosmic power of Galactus.
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How Superman reminded us what it means to be punk rock—and revived a 25 year old song in the process.
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Haunting, unskippable, and irresistible: why PHANTOM OF THE AFTERS is Kojaque’s best work yet.
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A top-five pick and analysis of Big Thief’s most powerful songs.
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A recap of musician Moses Ideka’s recent show in Tokyo, Japan with a discussion of his musical output and direction.
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A list of amazing albums that may have flown under your radar this year.
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