Hidden Gems, Big Country

I’ve never thought of myself as a country music fan.

While my family occasionally had George Strait and Dolly Parton on in the background at home or around the pool, I used to tune it out. Then this summer, something shifted. My brother moved to Texas, and suddenly country music started creeping into my world. Through his stories about rodeos and rowdy bars, the rise of western fashion trends online, and one unforgettable night seeing Shania Twain perform under the Miami lights, suddenly I’m buying boots and singing along to Brooks & Dunn in my apartment.

After that, I started paying attention in a way I never had before. I wasn’t just listening to the big radio hits, I was digging into the smaller names, the ones quietly making waves. That’s how I discovered a few country artists whose songs capture heartbreak and small-town life while bringing a fresh perspective to the genre.

Braxton Keith, “Prescription”

“I know I’ve got an addiction, I’m starting to think the only prescription is you”

“Prescription” is the kind of song that tricks you into tapping your foot along to a song that’s actually full of heartbreak. It’s catchy and easy to sing along to, but if you listen close, it’s really about admitting you still need the one who left. Keith balances that ache with a playful melody, making this confession feel like a celebration. It’s the kind of song that sticks in your head and makes you want to sing along, reminding you that heartbreak can be something to dance through. Keith proves that heartbreak doesn’t have to be heavy, it can be infectious and oddly uplifting all at once.

Randall King, “When My Baby’s in Boots”

“When she slides into them size seven Lucchese’s we’re gonna be two-stepping ‘til two”

Randall King makes music that I feel like I can always have playing, around the house or in the car. It’s just timeless country that feels effortless. “When My Baby’s in Boots” feels like a Friday night song, the kind that makes me wish I knew how to two-step. It’s playful and grounded in love, with a warmth that makes you smile when listening, which hits the sweet spot of why I’ve come to love this kind of country.

Alex Key, “Willie, Waylon, and Mama”

“They tried telling her a doctor or a lawyer’d be best, so she raised a cowboy to spite ‘em I guess”

Alex Key leans fully into classic country, and I love that about him. “Willie, Waylon, and Mama” feels like something that could’ve come out of the ‘80s. It’s funny, warm, and catchy, with just the right amount of rebelliousness. There’s a playful storytelling quality that makes you hang on to every line, the kind of song that reminds you that country music has always been about telling memorable stories.

Kylie Frey, “Always Flowers”

“The first step past a heartache is opening your eyes ‘cause there are always flowers for those who want to see them”

Kylie Frey keeps things simple in “Always Flowers,” and that’s what makes it so catchy. It’s calm, steady, and full of quiet hope. Frey sings about finding something good in the middle of a mess or hard times, reminding you not to let the bad days dim your light. The message that there’s beauty worth noticing even when the world seems to be falling apart is a powerful one, and Frey makes it feel easy to believe.

Gretchen Wilson, “Here for the Party”

“I’ve been waiting all week just to have a good time so bring on them cowboys and their pick-up lines”

Gretchen Wilson is one of a kind. Her confidence oozes through each lyric, making “Here for the Party” one of the best feel-good country tracks. It’s loud, rowdy, and bold, showing that Wilson isn’t afraid to say it like it is. Released in 2004, this song proves she was writing strong, female-led country long before it became trendy again. Listening to it, you can’t help but want to pull on your boots, shake off the week, and have some fun.

Matt Lang, “Somethin’ Bout a Honky Tonk”

“Somethin’ ‘bout a band rocking steel guitar acting like the world’s got a neon heart”

“Somethin’ Bout a Honky Tonk” is the kind of song that you’d expect to hear in a bar with sticky floors - in the best way. Lang captures the energy of a Texas bar perfectly, with its familiar feel and classic country warmth. It’s easygoing and twangy, the kind of song that makes you want to find someone to dance with. Lang’s voice and the energetic guitars give it a liveliness that makes you want to move, even if you’re listening while stuck in traffic.

Ella Langley, “girl you’re taking home”

“If I was good enough to be your last call, why is she the one you call your mama about”

Ella Langley is the best example of a look into the mind of a stubborn girl nursing a broken heart. Every song she writes packs a punch; she’s saying what most people are too proud to admit. Her music weaves honesty with bite, finding the perfect balance between heartbreak and pride. “girl you’re taking home” is catchy, raw, and painfully real; the kind of song you can either cry to or belt out in the car.

Jenna Madary